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Caveat
Sherlock Holmes is in the public domain, as are the works of H.P. Lovecraft and Alexander Dumas. However, freshly-created, original fiction is the copyright of the author. Note that my work adresses adult themes, and is therefore not recommended for YA or children.



Copyright
All textual material on this website is copyright by Mike Adamson.

All artwork with the exception of the book and magazine covers is copyright by Jen Downes.








Introduction

Mike's most active area of writing has always been science fiction, with, at this time, 167 short stories, ranging from flash to novella length. Every SF trope is fair game, from time travel to robots and AI, faster than light travel to dystopian futures, space exploration to climate change, and immortality to alien contact. Stories have evolved into various streams and groupings, with the largest being Tales of the Middle Stars (see separate listing), plus two or three other major cycles.

These stories are listed below under these group headings, and include links to places of publication to purchase or, occasionally, read online.

This genre offers the widest range of possibilities, with a very active marketplace seeking submissions on an ongoing basis, so the lists below will expand with future updates perhaps the quickest of all (though Sherlock Holmes may take that particular accolade!). Check back for updates!




The Promise — and Threat — of the Future
by Mike Adamson


One of my earliest memories is seeing the late 1960s reissue of Disney's 1954 20, 000 Leagues Under the Sea. I remember the cinema, I remember the supporting feature (Namu the Killer Whale — you got two movies for the price of a ticket in those days), and I remember the continuous sessions. Not long before, my Dad had said he would soon be bringing me a book about a submarine, and somehow even so young I at once visualised a metal hull starkly lit against a totally black ocean... It was the storybook tie-in of the movie, and just a few years ago I found a mint copy on eBay: it will be seventy years old next year!

Jules Verne and Walt Disney were part of what launched me on a lifelong romance with science fiction. The late Gerry Anderson was another major influence, his 1960s children's sci-fi shows have remained part of my world to this day, and of course the 60s were the time of the first Space Program, when dreams were starting to become reality, and that meant a lot.

My early conception of the future was that science, and its expression through machine technology, would mature into ever-more amazing things, that the future meant bigger, faster, cleverer, more reach, more capacity. Looking back, I see that was the natural mental orientation of being born into the society of the day, and of course, just as society changed, I grew out of it. The future became a place of threat as much as promise, as I began to understand my fellow human being, and realised that human nature goes with us on the journey, the dark side as well as the light. In that universal view, the future can be anything those in power choose to make it, and as their showing in the present is so dismal, why should the future be any better?

Eventually one wakes up and realises that a smarter phone is not the gift of tomorrow, it's a gadget, nothing more. Yes, we have much greater efficiency than we had decades ago, every device we need around us is concentrated in that pocket computer we have the gall to call a phone, but did we need this device more than we needed, say, the cure for diseases? Does it matter to the person losing their loved one to a disease that they can tell their friends about it much more efficiently than they would have forty years ago? Is that suitable compensation? Personally, I would have rather had the cancer cured and used a dial phone to pass along news of a speedy recovery. But history has not unfolded like that.

But the future always remains, and maybe we can make it better. This is the eternal possibility, and in that much, speculative fiction, science fiction in particular, is all about predicting what might be. Science fiction writers have forecast many a reality, from dystopian politics to hardware, to exploration and so much more. In a sense precognition is part of their brief. If they're doing it right, they're the prophets of what is to come. But as time moves along — and we're chewing through the third decade of the twenty-first c entury — one starts to sense that time is running out. Certainly the political inertia to implement the steps necessary to ameliorate climate catastrophe is a case in point, that gnawing sensation that we are all racing toward the edge of a cliff and the guy driving the bus doesn't believe in gravity. You can't get off, you can't change drivers, you can't convince the one you've got to make a turn — nothing changes, at least not for the better,

That's another whole discussion, but a great many are justified in seeing some very bleak tomorrows coming, and yes, I have written of this in a long arc of stories occupying most the next century. But I'm an optimist and want the future to be okay, so dark times don't hang around forever, and beyond all that is a future that turns out to have been really worth waiting for.

I would say I've explored most or all of the major science fiction tropes in my short stories. Browsing down my lists, I find time travel, immortality, personality upload, fast then light travel, alien contact, untapped powers of the mind, artificial intelligence, worlds of dream... They mix and match very nicely, too. I've often wondered what a major anthology would look like with the material arranged by subject matter. It could afford to be pretty weighty, and would of course not be straying outside the SF genre.

Back in the 1980s I wrote a considerable weight of material on the theme of sentience outside the human condition, exploring the concept of cetaceans being our intellectual peers. I had three volumes' worth of short pieces, and a series of novels, the first three or four complete. My first ever published short story was in this cycle, a piece titled "The Island of the Sun God," published over two issues in Underwater Geographic in 1986 or so, and featuring my own paintings as illustrations. It generated some interest at the time, I believe there was some discussion at the Oceans '86 Congress, but I couldn't get an agent interested. David Brin must have had the sentient dolphins market pretty much cornered. That said, in 1994 or so, I came within a whisker of my oceanic novel Calypso, coming out from Ballantines. Betty Ballantine herself did the edits, we were all set to go — then fate took a hand, Ian Ballantine passed away and the company went through some restructuring. My novel was one of those projects which were shelved. Had I made a breakthrough thirty years ago, my career would have certainly followed a different trajectory. As a rider to this era, several of my "Ocean" short stories have appeared in print in the last few years, with the possibility of more to come.

My busiest enterprise has been my SF cycle Tales of the Middle Stars, and you'll find that on a separate tab. With going on for sixty stories to date, it's easily my largest project ever, and deserving of separate treatment. On the following pages you'll find my other science fiction pieces arranged and grouped, with info on their places of publication, purchase links and so forth.




Science Fiction stories

In the listings below, stories are grouped according to broad themes,
and their order of presentation is, roughly, their chronological order of writing.
I could have alphabetised them, but there didn't seem a point!
Note: "FR" = "Free Read" ... see the Free Reads page for links.

Go to Tales of the Middle Stars






Tales of the 21st Century: Climate, War, Fascism and Dystopias

Tanks in the Snow
Silver Blade #52 FR

The Value of Meaningless Malaise
Cosmic Crime Stories September 2022

Legacy
Mythulu #2, January 2022

Meditations While Shaving
Land Beyond the World FR

A Lament for Marla
Future Visions #3, December 2018
Etherea # 7, February 2022

Critical Need
Kzine #20, January 2018
Podcast soon: Manawaker Studio

Fear of the Dark
Aurealis #104, September 2017
No Sleep Podcast, Season 14, Ep. 25

Cursed with Clarity
Page and Spine (website discontinued)

The Crime of Memory
(forthcoming in The Kafka Protocol)

Hunters in the Maze
Unrealpolitik
Future Crime Stories 9/2023 (due)

Street Pirates
Uprising Review, September 2017 FR

The Apotheosis of Rosie
Metstellar, December 2021 FR
The Best of Metastellar, Year Two

Apocalyptic Visions
Emerging Worlds, January 2020

The Last Flight of the Grim Reaper

One Way Street
Forthcoming in Stupefying Stories

Hellrider
After The Orange: Ruin and Recovery

The View from Dystopia
Shelter of Daylight V.1, No. 2, July 2020

Warpaint
Sci Fi Shorts

Preacher Feature
On submission

The Wild Breed
Resource Wars

The Excising of Ellery
The Protest Diaries

Water is Thicker than Blood
On submission

EMPath
The Long Bridge
The Sweet, Sweet Pulp
Bring 'em Back Dead
On submission




The Exploration of Space

The Hard Way Home
The Martian Wave 2017

Walking on Titan
Aurealis #116
Forthcoming in House of Zolo

R*E*X
Syntax and Salt, 6/2017 FR
Lockdown Sci-Fi #3

Dust Mote
Mythic #8

Hostile Intent
Compelling Science Fiction #10
Compelling SF First Collection

Colour Therapy
New Myths #44, 9/2018 FR

Footprints in the Sand

Meteor Man
Abyss & Apex #82, 4/2022 FR

Secret of the Sands
Where the Darkness Begins
Personal Best
Patchwork

Sunrise on Eris
Rhapsody of the Spheres




The Post-Habitable Earth

AD2105 — Endtimes
AD2106 — Escape Vector

AD2111 — Rats
Andromeda Spaceways #76

AD2115 — Call Me John
AD2119 — At the Walls of the World

AD2132 — Pelagus
Ecotastrophe II

AD2132 — Hi-Techer and the Genie
AD2133 — Stormwinds
AD2138 — Project Archangel
AD2140 — The Long Journey of Coal

AD2147 — Maggot in the Apple
The Mods

AD2171 — The First Day of Winter
Gotta Wear Eclipse Glasses

AD2179 — Flight of the Storm God
Endless Apocalypse
Little Blue Marble June 2021 FR
Little Blue Marble 2021

AD2195 —   As Above, So Below

AD2220 —   Solitude, in Silent Sun
Little Blue Marble July 2020 FR
Little Blue Marble 2020





Ocean

Inward, to the Sea
Forthcoming in The Pelagic Zone

Sunfire and Swiftsure

The Gentle Art of Ghosting
Sunshine Superhighway

Whispers

The Moth and the Candle
Dies Infaustus

Gorgon's Deep
Myths, Monsters, Mutations

Last and First Whales
Land Beyond the World, 12/21 FR

Soul Mirror





Robots, Androids and AI

Rebirth
Compelling SF Special Issue
Forthcoming in AI, Robot

Cogito, Ergo Sum
Compelling Science Fiction #7
Forthcoming in AI, Robot

No Victim, No Crime?
Existential Schism
A Room With a View
The Road Philosopher





Time Travel

The Winds of Time
The Chronos Chronicles
The Chorochronos Archives

With Scientific Detachment
Temporal Fractures

The Steel God
Forthcoming from NewMyths

Gamer's Gambit
The Chorochronos Archives





Alien Contact

Dark Encounter
Hellbound Anthology of SF Vol. 1

A Grand Succession
Nebula Rift Vol. 4, No. 12, 1/2017 (out of print)

Dreamlogger
First Contact
Forthcoming in Lockdown Sci-Fi

The Devil's Bride ("Scans")
Abyss & Apex #73, 1/2020 FR

Naevus
Uprising Review, 11/2017 FR
Synth Anthology Series #4, 12/2019

The Stranger of Morden
Aurealis #121, 5/2019

The Purslane Menace
Unbound IV (cancelled before release)

The Fate of the Dove

Revelations
Daily Science Fiction FR
Metastellar, 4/2023 FR

An Ocean of Sky
A Failure of Diplomacy

The Man with the Alien Aura
Not Far From Roswell

Horizons
A Wandering Star
Bones
Samaritan of the Double Echo





Jules Verne Pastiches

The Silent Agenda
20, 000 Leagues Remembered
Galaktika #388

The Visionary and the Voyager
First Mission

The Highest Loyalty
Extraordinary Visions